Honyi, head of the antelope lodge, sings "Pawik Katcina", the duck song.

Honyi, head of the antelope lodge, sings "Powamu Katcina", the bean harvest song recorded under the supervision of J. Walter Fewkes.

Honyi, head of the antelope lodge, sings Soyohim katcina

Kutka, chief of the Walpi tribe of Hopis, sings "Malo Katcina".

Kutka, chief of the Walpi tribe of Hopis, sings the buffalo hunt song, "Mucaisti Katcina".

Honauuh sings "Tacab Katcina".

Kakapti sings the beard dance "Anga Katcina".

Kakapti sings the song "Humis Katcina".

Kakapti sings the rabbit hunt song, "Makwatu".

Unidentified Chief of the Osage nation takes an oath of loyalty to the United States and swears he will never associate himself with any group plotting its violent overthrow. John H. Oberly, Commissioner of Indian Affairs, also speaks.

Tuma'euy sings "Tacheukta Katcina" with Honauuh who sings "Tuwina-ay".

Al Jolson sings a World War I novelty song, "Sister Susie's Sewing Shirts for Soldiers".

In the first portion of the interview, Napesni reminisces about her late son, including the events leading to his death. She speaks about her year of mourning. The interview then turns to Napesni's quilting, and the difficulty she's had with it due to arthritis. She speaks of how the crippling pain in her hip was relieved through an act of faith healing. Returning to the discussion on quilting, Napesni tells of her methods regarding the teaching of quilting to her students. She mentions that she has made over four hundred quilts, and speaks of what she looks at in terms of the quality of a quilt. An hour into the interview, Napesni talks about her name. She indicates that her Indian name is "Eagle Shawl Woman". Ollie was the name given to her by her mother, and her middle initial, V, stands for "Viola". Her last name, Napesni, was given to her father and means, "never retreats". When the government required last names to be translated into English, they erroneously translated Napesni into "not stampede". As a girl, Ollie didn't like the name, and called herself Ollie Asia for a time. In the last portion of the interview, the topic returns to quilting.

White speaks of her early childhood, including her use of the Ojibwa language up until she went to school, and how life was in her hometown. After this, the discussion turns towards quilting, including the place that quilting had in Paula's life, the inspiration for her work, and the work's content.

During the beginning of the interview, the interviewer takes Nancy Naranjo's personal information, including details concerning her residence, her education, the various forms her artwork takes, her ethnic background, the languages she speaks, her religious affiliation, and her occupation. As the interview continues, Naranjo speaks of her childhood and growing up. She talks about how she learned to sew and quilt from her grandmothers and her mother. Naranjo speaks of her Native American background, and of her parents and grandparents. She talks about her quilts--their spiritual and stylistic elements.